Venice welcomes Polanski, Bradley Cooper but only on-screen / Photo: © AFP
Venice welcomes Polanski, Bradley Cooper but only on-screen
Roman Polanski and Bradley Cooper headline the Venice Film Festival on Saturday, though long-standing controversy and a Hollywood strike mean both will be missing from the red carpet.
Still technically a fugitive from US justice over a child sex conviction in the 1970s, the 90-year-old Polanski will be absent for the premiere of "The Palace", his farce set in a Swiss hotel that could be the legendary director's last film.
An ongoing actors strike in Hollywood means Cooper will also be missing from the launch of his movie "Maestro" in which he plays legendary conductor and composer Leonard Bernstein, as will Carey Mulligan who plays his wife Felicia.
Though Cooper is also director, he chose to stay home in solidarity with the strikers, foregoing the splashy red carpet launch he gave his previous hit, "A Star is Born", in Venice.
There has been some internet-driven controversy over Cooper's decision to wear a large prosthetic nose -- seen by some as perpetuating stereotypes about Jews -- though Bernstein's family defended the film, saying the composer would not have minded and that he indeed had a "nice, big nose".
- 'Making millions' -
Since the MeToo movement, Polanski's conviction for child sex in the 1970s has overshadowed his work and made him a pariah in Hollywood.
Still revered for classics like "Chinatown", "Rosemary's Baby" and "The Pianist", his selection in the out-of-competition section at Venice has been widely criticised by feminist groups and others.
His new film stars Mickey Rourke and John Cleese as guests in a fancy hotel for the turn of the millennium.
For decades, Polanski's conviction was largely overlooked, particularly in Europe where he continued to work and win awards, right up to his last film, the France-based "An Officer and a Spy", which won the Jury prize in Venice in 2019.
But anger over that film's success at France's Cesar Awards proved a rallying point for MeToo anger in the country, which had been a haven for the director for years, especially as fresh assault allegations against Polanski came to light.
The film has landed distribution in several European territories, but not Britain, France and the United States -- to the consternation of its producer Luca Barbareschi.
"Why, if all the platforms -- Paramount, Studio Canal, Amazon, Netflix -- run all of Polanski's movies every day, making millions for these platforms, why can't we produce another Polanski movie?" he told reporters.
Festival director Alberto Barbera has defended the decision to include Polanski, telling AFP: "The history of art is full of artists who were criminals, and we nonetheless continue to admire their work."
Meanwhile, "Maestro" is among 23 films competing for the Golden Lion in Venice, to be decided on September 9.
A towering figure of 20th-century classical music, Bernstein assured his place in popular history by composing the Broadway smash hit musical "West Side Story".
The Venice competition has one frontrunner so far after rave reviews for "Poor Things" on Friday.
It saw Emma Stone as a sexually voracious reanimated corpse in a darkly comic, and strongly feminist, reimagining of Frankenstein.
Also getting warm reviews was Adam Driver as racing car impresario Enzo Ferrari in Michael Mann's "Ferrari".
R.Abreu--ESF
